The Cotman Collection | 139

Cotmania. Vol. VI. 1930-31

Archive: SDK Sydney Decimus Kitson Archive
Reference Number: SDK/1/2/1/6
Page:


  • Description

    Diary entries for 17 March 1931 (continuation) and 27 March 1931; extract from a review of William Morris by Richard Church

    Continuation of SD Kitson's diary entry for 17 March 1931

    Date: 1930-31

  • Transcription

    (4) A Dutch Boat. pencil. 6 1/4 x 9 3/8 on Whatman paper.
    "Cotman"
    probably M.E.C
    *Bought by S.D.K.
    *(5) "Caister Castle. J. Cotman 35." Pencil
    on buff paper. Sketch on spot, probably
    c 1811. very 'mappy' & slight. 10 1/2 x 11 3/8.
    (6) "Boats on the Sartre, near Alençon. J.S. Cotman." 9 x 12 1/4
    ----------"-----------
    March 27, 1931. Cotman's fine drawing of
    Norwich Market Place, 1807, was sold at
    Christie's for 360 guineas to Alec Martin,
    acting for a private collector.
    ----------"-----------
    work, and [..] everybody [..]
    [in]fluence of his exuberant genius - people from
    Rossetti down to the humblest puddler in the pottery at
    Merton Abbey - points to his greatness. Everything he
    did he did well and beautifully. He gave it the quality of
    his sun-like personality, the quality of golden light and joy.
    Here is an example of that quality, shining through his prose
    style. Notice the monosyllabic construction that makes it
    transparent in spite of all its richness. It is like the water
    colour painting of the finest masters in that subtle art, men
    such as Cotman and Peter de Wint:

    "The Abbey where we built the Church was not girt by stone
    walls, but by a circle of poplar trees, and whenever a wind passed
    over them, were it ever so little a breath, it set them all a-ripple;
    and when the wind was high, they bowed and swayed very low,
    and the wind, as it lifted the leaves, and showed their silvery white
    sides, or as again in the lulls of it, it let them drop, kept on changing
    the trees from green to white, and white to green; moreover,
    through the boughs and trunks of the poplars we caught glimpses
    of the great golden corn sea, waving, waving, waving for leagues
    and leagues; and among the corn grew burning scarlet poppies,
    and blue corn-flowers; and the corn-flowers were so blue, that
    they gleamed, and seemed to burn with a steady light, as they
    grew beside the poppies among the gold of the wheat. Through
    the corn sea ran a blue river, and always green meadows and lines
    of tall poplars followed its windings."
    Richard Church

    The Spectator - 14.3.31. Review of "Wm Morris - Prose Selections"

Diary entries for 17 March 1931 (continuation) and 27 March 1931; extract from a review of William Morris by Richard Church